Tuesday 30 May – LET ME GO TO HER, Episode Five – What is Done in Youth

By
William E. Spear

Volume 1, Issue 22

LET ME GO TO HER, Episode Five – What is Done in Youth

~~

Full Transcript –

LET ME GO TO HER, PODCAST EPISODE FIVE – What is Done in Youth

ORIGINAL DATE: 30 MAY 2023

(Cold open)

Rosie is missing in the midst of a rainstorm with thunder that is shaking the mansion and lightning that is illuminating the grounds.

All that and more is exploding on The 3:57 by William E. Spear.

(Organ music fades up)

Hello my name is William Spear and this is the conclusion of our series titled LET ME GO TO HER.

It is interpreted from Elizabeth Gaskell’s THE OLD NURSE’S STORY published in 1852.

Furnivall Manor is in an uproar. James is demanding Mrs. Stark tell her story. From the drawing-room Miss Furnivall has emerged looking terrified. And the organ, booming and threatening with its unseen player, adds its own voice.

Now, Episode Five . . . What is Done in Youth.

(Organ music fades up and under)

The thunder rocked the chandelier back and forth and the organ bounced it up and down.

James repeated his demand of Mrs. Stark to “tell her story”. She refused and with no other clues for finding Rosie I told him to continue.

“It all happened when Maude and Grace were in their twenties,” said James. “Their father, Lord Furnivall, loved music and hired an organist for lessons.”

Grace stepped to the organ which was playing under the command of unseen hands. Her fingers caressed the keys without actually touching them.

James continued: “The organist discreetly courted the sisters. Made sweet promises to both. Each tried to capture his attention. But Maude’s charms won the prize.”

Grace spewed poison: “How could he possibly have chosen her?” She slammed on the keys. The organ growled and the thunder roared.

She told more of the story: “My lying sister kept their marriage a secret. Each of us traveled so we went months or years without being in the house together. And when we were, the house was so big we might only see each other for meals.”

The organ tensed like a fist tightening and the thunder echoed its intent.

Grace spoke further: “One evening I saw a servant preparing a tray of food. ‘It’s for Miss Maude,’ the servant said. We had just eaten dinner so she couldn’t be hungry. I went up to her rooms.”

“There was Maude with a child! A girl! Must’ve been four years old. I ran to father and he was enraged. Said she ruined the family’s name. Then he kicked them out of the house in the midst of a terrible storm.”

The organ hit and sustained a note that opened a crack up the wall and across the ceiling to the chandelier.

James raged against her arrogance: “Maude and the girl died in the storm!”

The weather! My Rosie was out there and I had to find her! Music and thunder climaxed again and the door slammed open.

In ran Rosie and she leapt into my arms. We both sobbed and hugged each other. But the concert was not over. Thunder erupted followed by a blinding bolt of lightning. And there – there! – in the doorway were the spirits of young Maude Furnivall and her little girl.

Rosie screamed: “That’s the girl and her mother. They helped me.”

And from the organ appeared the ghastly ghostly shape of an old man. It was Lord Furnivall with silver hair and gleaming eyes. He walked toward mother and child and raised his cane to strike.

Another phantom appeared in the doorway. It was the spirit of young Grace Furnivall smiling contemptuously and approvingly. She encouraged the mother and child to be struck down.

Then a voice spoke but the words did not match the actions: “Oh, father! Father!” It was old Grace Furnivall begging mercy. “Spare the little innocent child!”

The old man’s cane struck its target. An explosion of thunder shook the mansion and the chandelier crashed to the floor.

A bolt of lightning flashed across the doorway and all four figures were gone.

Old Grace sobbed: “What I did in youth cannot be undone in my old age.” Then she collapsed. I grabbed Rosie and we drove all night to get back to my parents’ home.

(Organ music fades up and under)

Over the next few days our lawyer filed a petition for us to have permanent custody of Rosie. Grace died a few weeks later.

My college was delayed for a year while we got used to a fourth in the family.

And Rosie – dear, sweet Rosie – never again saw the little girl that called to her.

(Theme for Let Me Go To Her fades up)

You’ve just listened to the Fifth and Final Episode of LET ME GO TO HER.

Organ and theme music are through the courtesy of DS Technician at PixaBay.

The Three Fifty-seven is written and produced by William Spear.

Thank you for listening.

(Theme for Let Me Go To Her fades out)

WESJr.

Unknown's avatar

Author: William Spear

William E. Spear has written for audio since 1994. His book, "Lit Between the Ears, Volume One: Chekhov, O. Henry, Spear and Tarkington On the Air," was released on July 31, 2006. He founded Two Plus Plus Productions LLC in 2006 and is President. He founded Hunterdon Radio Theatre in 1999 and has written over 15 plays since. Spear's work has been broadcast in New York and New Jersey and his plays have been published on web sites across the country.

Leave a comment